Craft

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I have enough spun yarn to ply that I decided to try and create my own version of a Lazy Kate to use at home.  Yes, it would have been simpler to buy one, but with me out of a job and Toni and I trying to fit in some fun celebrations for my birthday, saving money where we can makes the most sense.

I had come up with an “eh” solution that involved hanging wire hangers off the supports of the coffee table that was neither very pretty or completely comfortable to use.  Toni watched me struggle for a bit and then inspiration struck!  

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We have a lamp with three narrow legs as the base.  I needed two places to park my spools of thread that would allow me to ply them together on my spindle.  Voila, the narrow legs of the lamp are ideal!  

YEAH TONI!

Using the new method, the plying flew along and I was able to wind off my yarn in short order.

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spun sampler

Before I talk about my recent drop-spinning classes, some backstory……

When I was in grad school I went through a phase where I felt if I was going to study weaving I had to understand everything about it.  Scholars wrote often of the natural dyes used by the weavers and the fiber content of the works.  There was also mysterious talk about “s” or “z” spin and ply.  

In my quest, I took the following classes:

  • natural dyeing class — a lot of fun, but not very practical for a casual hobby as you need to devote pans to the dyes and I’ve never really had enough storage space in where I live for the occasional dye binge.
  • drop-spinning – oh my goodness how frustrating!  I kept trying and trying and all I could create was this barely spun lumpy mess.  And then I would walk into a yarn store and find all this lovely soft yarn, why would I keep this up?
  • weaving – this I enjoyed.  I was able to sit down in front of a loom and reach a rhythm pushing and pulling the warp thread across the weft.  Watching cloth build up in front my me was very satisfying.  Sadly, I again ran into the space commitment issue.  I just did not have the room in my living space for a decently sized floor loom.  

Cut to almost a decade later.  I went to the regular Friday knitting circle at my lys, Piedmont Yarn and Apparel, where the monthly “yarn snobs” presentation was by this super cool woman Kristine, who runs A Verb for Keeping Warm.  I noticed she was displaying fiber as well as yarn and spinning on a drop-spindle throughout the visit.  One of the other circle visitors (I can’t remember who) asked her about spinning and Kristine was very open to talking about how the process worked.  It was a bit of a revelation for me to hear someone speaking about the spinning process in such practical terms.  I was also very excited when I found out she teaches spinning at another lys, Article Pract.

my 1st spun and plied wool

It took a few tries, but I finally signed up for the beginning spinning class this past month (the end of July). I think the combination of more time with a teacher who can explain the process at different levels and a bottom-whorl spindle was the magic I needed.  It was not pretty at first, but by the end of the week I was spinning yarn to take to the second class to learn to ply that held its spin and was getting consistent in width. 

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It was very exciting, and I promptly signed up for the Intermediate class that started the following Tuesday, which is focusing on spinning to knit.  The class project is a knitty pattern, the Lace Ribbon Scarf and I have 70 yards already spun, plied, and set to begin the project the next session (this coming Tuesday).  

I chose a flax/wool blend in a vibrant red and a 100% silk tussah.  

flax/wool fiber detail

headlands II silk fiber

 

I spun them separately and then plied them together.  I had thought of trying out carding to blend the 2, but the sample I used really ate up the more vibrant yarn and I was worried about losing the fireyness of the red.

detail homespun flax/wool/silk

I admit, I’m not sure I will start spinning all my own yarn, but it has been very exciting to finally break through and learn how to make my own yarn, to feel I can create yarn from fiber that I would use.  Finally, a foundation skill that I can take with me, and fits into any living space!   

I am not sure what else to call it. I’d say I can’t pass up yarn, but it goes further than that. I am easily sucked into buying yarns that appeal to the touch, especially when I can visualize a project I can make with it, or when it inspires me to search for a project to make. But, it isn’t just yarn that appeals to me. Raw fiber calls me too, and I don’t even spin!

What is it about the raw and complete product that appeals to me so? Is it the fascination I have with the transformation of material elements? Raw fiber is transformed into spun yarn. Yarn is taken and wrapped around a stick like element in such a way that it creates clothing (or wrapped around itself as in weaving). Or am I drawn to the tactile response I have when I touch the yarn or fiber?

It always bothered me when I studied art history that the fiber arts, cermamics, jewelry, glass blowing, etc were considered the “minor arts.”  I had colleagues who would wonder out loud why they had to study “stuff that wasn’t art.”  

Grr…..  I have done knitting and crochet since I was a child, and have taken weaving and spinning classes.  Taking raw materials and building a finished product in any of these so-called minor arts takes an ability to visualize a future result that can blow me away.  The artisans who take a mass of raw materials and understand how to change and adapt those materials to a finished product exhibit incredible talent.